There’s nothing more
1
The ideal is unyielding melody, powerful, restless, continuous — half-simpleton, half god, the great symphonist
He once thought her the love of his life — but now she’s just a cranky, old, prune-faced, sleaze fuck, from Forest Hills
Meanness, hysteria, self-sacrifice... The great professor could work no miracles He cut into his patients who revered him and
with great skill, and the best intentions, mutilated them “You work on the water and you smoke too much...” said the seer, who sees only what we already know
2
He was devout, that clown, he prayed deeply, so reverent, everyday He even encouraged his house slaves to do the same With red hair and yellow teeth, that Bozo...
He walked on the stage intense and ready To the piano he resolutely began to play Then he’d abruptly stop and ask the audience
“Did I play that right?” When they showed their approval he’d raise his hand to stop them and
he assured them that before it was okay but that now, at last, he’d play for them as only he could
3
Like an old lion, solitary, watchful with visions of greatness, dreams of rescue We’d disappear to the sides of his mind — we are
puppet-like characters easily moved, then discarded He derived great pleasure in assisting those whose wounds are self-inflicted
He would never decide what to do in haste His deep-seated rage was for toughness and order Some thought him part tone-deaf and quite elusive
By nature reserved and solitary, he’d grow up to say “I’m old, I’m rich and there’s nothing more they can do to me”
-February 16, 2011-